Category Archives: Watercolor

OUTBACK WORKSHOP 1

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DARWIN, KAKADU, KATHERINE

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We arrived back in Darwin, put our vehicle into storage and met Amanda and Gordon, our tour guides, at the Mindil Beach Markets. After wandering  around and watching the sun set into the ocean, we all headed back into the city for dinner.

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Monday, the 26 people that form our group got to know each other over drinks on the balmy veranda of the Holiday Inn.

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Tuesday, our first painting day,  we headed down to Government House , spread ourselves out on the rolling lawns opposite, and filled in the morning painting under the shade of a banyan tree.

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The afternoon was hot, so we found a shady spot opposite our hotel and painted the fringe of vegetation between us and the Arafura Sea

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Off to Kakadu and three days at Cooinda Lodge, Our coach driver had a tremendous knowledge of the aboriginal people of the area, having lived and worked with them over the years, He took us around Nourlangie and filled us in on many of the aboriginal customs and beliefs.

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Nourlangie

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Whistling Ducks – Yellow Waters. Except for the fact that these guys are walking around, they are the most artificial looking animal I have ever seen. They don’t  like getting wet either, happy just to stand beside the water.

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We watched this Croc cruise past our boat accompanied by a large Barramundi with a death wish.

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Red Lillys – It may not look like it, but every bit is edible!

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Pair of Jabiru (Male with dark eye)

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Cruising Black Cockatoo – they fly slowly in formation like a flock of B52’s on a mission.

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Wetland Waterlilies

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In the afternoon heat, an old Akubra in front of our lodge was a more comfortable option for a painting subject. Just so things didn’t become too comfortable, we limited ourselves to just two colours.

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Home Billabong at Cooinda Lodge was dotted with shady clearings looking across the water – great places to paint.

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Home Billabong – Cooinda

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If this little fellow hadn’t hopped, we would never have seen him

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South Alligator River, meandering across the wetlands

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Arnhemland Escarpment

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Ranger Uranium Mine

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South to Katherine

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Gold rush architecture, Pine Creek NT

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Another shady Banyan tree, this time in Katherine

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Some transparent watercolor washes and a lot of pale Ultramarine Gouache made this demo a lot of fun.

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Splashes of Alizarin, ink marks, charcoal pencil lines and fine rigger strokes suggest a lot of complicated detail without being too descriptive.

MINING MACHINERY

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Ranger Uranium Mine, in the heart of Kakadu National Park, has the weird attraction of a car accident. It’s all very horrific but you just can’t help looking!

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The dirt from an enormous hole in the ground satisfies 10% of  the worlds hunger for uranium. They dig it up, crush it, mix it with various toxic chemicals (ammonia, sulphuric acid, kerosene), then , once separated and purified, pack it into 44 gallon drums and sell them for over half a million bucks a pop.

All this so the Chinese and Indians can have two door fridges, plasma TV’s and  air conditioned shopping centres,  just like we do.

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As crazy as all this is, I just cant help admiring the technology and machinery that brings it all about. One small human can sit in a giant loader and, with the assistance of hundreds of litres of burning diesel, pick up 30tons of earth in one scoop and drop it in the back of a monstrous truck. These really are awesome machines and they make great painting subjects.

These sketches were done with Indian Yellow, Alizarin Crimson, Ultramarine Blue and White Gouache. Burnt Sienna Ink and charcoal pencil provided most of the fine lines.

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I liked the way this machine was resting, with it’s bucket on the ground like a big, tired elephant

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These trucks carry 100ton of dirt, in and out of the pit all day long. Even so, they look over designed – as if nothing could ever stop them.

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I used bleeding ink lines, rough charcoal marks and washes of dirty white gouache to try and get the smell of grease and diesel into this sketch.

It seems weird I guess, sitting in one of the most beautiful places on earth, painting trucks and graders!  It’s a lot of fun though.

ARNHEM LAND REFLECTIONS

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WATERCOLOR AND MIXED MEDIA PAINTING DEMONSTRATION

Throughout Kakadu National Park, the landscape is dominated by the Arnhem land and Kakadu escarpments. In their own  right, these bands of ancient sandstone are spectacular sights. Seen across the wetlands and  through curtains of paperbark trees, the escarpments add a rich, warm shot of colour to a fairly monochrome landscape.

In this painting I want to use a sickly pink acrylic pigment to exaggerate the warm hues of the escarpment. To really give this colour some impact I will contrast it with some raw Ultramarine Blue

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The spectacular Kakadu escarpment

The range of colours for this painting is very small. Medium Magenta Acrylic being the only unusual pigment.

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On the extreme left, above, is a small water spray. Not in the image is a 3″ Hake brush

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A rough sketch sketch provides just enough information to place the various elements. The first washes are gradations of Ultramarine Blue and Alizarin Crimson.

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Once the first washes are completely dry, the foliage can be suggested with varying mixtures of Quinacridone Gold, Alizarin and Phthalo Blue. In order to make the shapes appear random and uncontrived, the paint is splashed onto the paper then the edges are adjusted before the pigment dries.  The important thing to remember with these shapes is to put as much variation as possible into the edges.

The horizontal bands of white paper will later be tinted to represent the horizontal line of the waters edge.

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More detail is added to the foliage and reflections. The pure Ultramarine that will form the shadow at the bottom of the escarpment is dropped in and softened with a damp 1″ brush

A liner brush is used to add the fine twigs and branches. The paler, main tree trunks, are lifted out with a damp 1″ flat brush.

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Finally the sickly pink acrylic is dropped in over a wash of Quinacridone Gold and Alizarin Crimson. A wash of Phthalo Blue cools down the water. Graded washes of Ultramarine Blue darken the outer edges of sky and water.

With the painting once again , thoroughly dry, pools of White Gouache are dropped into the sky and water and adjusted with a dry hake brush and water spray.

The last step is to add some Burnt Sienna Ink marks and Black and White charcoal pencil lines to suggest  finerl detail.

WATERCOLOR WINDMILL

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batchelor map

Outside the town of Batchelor, we camped under a huge old Southern Cross windmill. The kind that turn and creak at the slightest breath of wind.

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I started to sketch it but every time I looked up the wind had changed and it looked completely different. I decided to ignore what it looked like from where I sat and draw it square on from in front.

Once it had shifted around a few times I had enough information to disregard perspective and make the drawing flat and mechanical.

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The initial drawing was done with Charcoal pencil, then washes of indigo and Burnt Sienna were put in fairly loosley with a 1″ and 1/4″ flat brush. The windmill was old and coated with rust and grease. I wanted the sketch to give the impression of reliability while indicating the wear and tear of a hard life.

Burnt Sienna ink lines were added then the drawing was broken up slightly with washes and splashes of White  Gouache.

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This detail shows the Burnt Sienna ink lines, some left hard and sharp, others sprayed and softened with a mist of water. You can also see lines of white charcoal pencil adding to the detail and loose splashes of White Gouache.

These mechanical subjects are a lot of fun to paint. You can fill them with atmosphere and character, saying more about their life and function than their actual appearance.

LEICHHARDT LAGOON

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LEICHHARDT LAGOON
Leichhardt Lagoon is a series of waterholes on the Leichhardt river near Normanton. There were plenty of crocodiles in the nearby Leichhardt River, great sunsets and lots of interesting birdlife so we stayed for three days. Did some painting, lots of walking and cycled along some rough old sandy tracks spotting crocs.
Great camp site, right beside the water.
The sunsets across the wetlands were mighty.
Stilts fed in the shallows around our camp
These two cool looking ducks waddled past us one morning
Young Stilt trying to figure out how all these legs work?
Large Egret showing off elaborate plumage.
Attractive looking Egret making herself more attractive.
Important looking Egret walking importantly
Pied Heron circling.
Pied Heron – cruising.
Pair of Curlews – the way they behave is as weird as their mournful cry. They stand dead still and stare at you, then walk a short distance, freeze, and stare again – very strange!
Mobile studio – right on the edge of Leichhardt lagoon.
Cobalt Blue and Permanent Rose are normally used as soft, transparent washes. In this painting, as well as using the colours as transparent washes, I mixed them with white gouache to make the random opaque purple shapes that interrupt the detail.
Surprisingly few insects at night meant we could cook and eat outside and enjoy the view across the wetland.
By now you might be thinking this place is pretty close to perfect, and it was except for this guy…
He owns the station the wetlands are situated on, and thought it a good idea to blast away with a shotgun every once in a while to frighten off all the birds?

Leichhardt Lagoon is a series of waterholes on the Leichhardt river near Normanton. There were plenty of crocodiles in the nearby Leichhardt River, great sunsets and lots of interesting birdlife so we stayed for three days. Did some painting, lots of walking and cycled along some rough old sandy tracks spotting crocs.

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Great camp site, right beside the water.

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The sunsets across the wetlands were mighty.

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Stilts fed in the shallows around our camp

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These two cool looking ducks waddled past us one morning

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Young Stilt trying to figure out how all these legs work?

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Large Egret showing off elaborate plumage.

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Attractive looking Egret making herself more attractive.

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Important looking Egret walking importantly

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Pied Heron circling.

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Pied Heron – cruising.

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Pair of Curlews – the way they behave is as weird as their mournful cry. They stand dead still and stare at you, then walk a short distance, freeze, and stare again – very strange!

painting at leichhardt lagoon

Mobile studio – right on the edge of Leichhardt lagoon.

wetland painting

Cobalt Blue and Permanent Rose are normally used as soft, transparent washes. In this painting, as well as using the colours as transparent washes, I mixed them with white gouache to make the random opaque purple shapes that interrupt the detail.

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Surprisingly few insects at night meant we could cook and eat outside and enjoy the view across the wetland.

By now you might be thinking this place is pretty close to perfect, and it was except for this guy…

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He owns the station the wetlands are situated on, and thought it a good idea to blast away with a shotgun every once in a while to frighten off all the birds?

DUYFKEN

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Duyfken

Moored at the main marina in Cairns was a beautiful old sailing ship. We walked out to have a look and discovered it was a replica of a Dutch ship called the Duyfken. It was the first European ship to see Australia, and mapped part of the West coast of Cape York in the 1600’s.

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The original ship belonged to the Dutch East India Company and traded spices between Indonesia and Europe. The replica was built in Perth from identical materials to the original – even the sails were made from Scottish flax canvas.

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Bilge pumps made from timber and leather, just as they were in the original. I imagine, down in the bowels of the ship somewhere, would be some electric bilge pumps. If not, they must have a very sympathetic insurance company.

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The Captain’s cabin is about as luxurious as it gets onboard. Even he had to put up with a huge pole right in the middle of his room.

The crew got to sleep in the hold on the voyage from Europe but on the return journey, they had to make do with the open deck! Not much fun if you were seasick, under nourished, and constantly hounded by marauding pirates.