ROCKS AND BOABS

Our Outback Workshop moved from Kakadu/Litchfield, over to Kununurra via Katherine. Moving across the boarder into Western Australia brings a change in the landscape from speargrass savannah to rocky outcrops and giant Boab trees. The landscape was unusually dry for this time of year. Normally creeks are full, waterfalls are flowing and the landscape is greener but, unfortunately,  the last wet season was almost non existent.

© John Lovett 2019
© John Lovett 2019
Spectacular, close up view of Katherine Gorge

© John Lovett 2019
Kununurra sunset changes the landscape completely
© John Lovett 2019
© John Lovett 2019
© John Lovett 2019
Couldn’t resist painting this old Studebaker truck at El Questro Station

© John Lovett 2019     © John Lovett 2019
Rock Wallaby keeps watch over Chamberlain Gorge

© John Lovett 2019
Chamberlain Gorge

© John Lovett 2019 © John Lovett 2019
Distorted landscape around Lake Argyle

After the Outback Workshop finished, Dianne and I collected our truck we had stored in Kununurra and headed of down the Gibb River Road via Wyndham and Parry Lagoon
© John Lovett 2019
© John Lovett 2019
© John Lovett 2019
© John Lovett 2019

© John Lovett 2019

Bell Gorge – one of the many waterholes along the Gibb River Road
© John Lovett 2019
Water Monitor – Bell Gorge
© John Lovett 2019
© John Lovett 2019

At the end of the Gibb River Road is the Napier Range. A spectacular band of twisted Limestone running East West across the Southern Kimberley. We spent a few days camped under the range painting, walking, sketching and photographing

© John Lovett 2019
© John Lovett 2019 © John Lovett 2019
Bee hive in a cave in the Napier Range

© John Lovett 2019
Outside Studio

© John Lovett 2019
© John Lovett 2019 © John Lovett 2019 © John Lovett 2019   © John Lovett 2019 An amazing place to paint and explore

CENTRAL AUSTRALIA WORKSHOP

A couple of weeks before Winter is the perfect time to be in Central Australia. The days are warm and sunny, the nights are still mild and the chance of rain is close to zero.

We flew to Alice Springs via Sydney which took us across the top of the Simpson Desert. It is amazing how big and empty it looks from 11000 meters.© John Lovett 2017

 

We also crossed the Birdsville and Strzelecki tracks that we drove down last year

© John Lovett 2017

 

Flying over the MacDonnall Ranges shows just how ancient and distorted the landscape is in that part of the country.

© John Lovett 2017

When we arrived in Alice Springs we met our Bus driver Natalie and her awesome big Mercedes Bush Bus. She was passionate and enthusiastic, showing us all there was to see around Alice Springs, the Western MacDonnalls and Uluru Katajuta.

© John Lovett 2017

Our first stop was Glen Helen Lodge. We based ourselves there and visited the gorges of the West MacDonnall Ranges. A great spot with fantastic food and a view from our cabin door to die for.

© John Lovett 2017

Late afternoon Glen Helen

© John Lovett 2017

Piano with boots

© John Lovett 2017

I took  a helicopter ride over the Glen Helen Gorge/ Ormiston Pound. These ranges sure are impressive from the air.

© John Lovett 2017

© John Lovett 2017

© John Lovett 2017

 

Ringneck Parrot

© John Lovett 2017

 

Ellery Creek Big hole

© John Lovett 2017 © John Lovett 2017

© John Lovett 2017

© John Lovett 2017

© John Lovett 2017

© John Lovett 2017

 

Painting at Ormiston Gorge

© John Lovett 2017

 

Ochre Pits

© John Lovett 2017

 

Standley Chasm

© John Lovett 2017

 

We were lucky enough to be at Uluru for the annual camel races. The traditional Calcutta is held at the pub the night before race day. Lots of excitement and some hefty prices paid for these racing dromedaries.

© John Lovett 2017

The races were wild and crazy – Camels seem to have limbs all over the place when they run…  © John Lovett 2017

…handsome animals though!

© John Lovett 2017  © John Lovett 2017 © John Lovett 2017

 

The day following the races we spent the morning painting at the camel farm. Some of these animals looked to be suffering severe, post race,  hangovers.

© John Lovett 2017

© John Lovett 2017

© John Lovett 2017

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Sturt’s Desert Pea       © John Lovett 2017

 

Mutitjulu Waterhole

© John Lovett 2017

© John Lovett 2017

 

Walking through Bruce Munro’s Field of Lights installation was disorienting and fantastic

© John Lovett 2017© John Lovett 2017

 

Shallow water in Lake Amadeus.

© John Lovett 2017

 

Herons at Glen Helen  © John Lovett 2017

NEW ARTICLE

Painting Water
I don’t know what it is about painting water, but for some reason its calm, horizontal suggestion in a painting always seems to draw a viewer in. Here are some useful tips for painting water.

© John Lovett

http://johnlovettwatercolorworkshop.com/painting-articles/

WA WORKSHOPS

Western Australia’s mining boom might have slowed, but our recent visit showed a state still prosperous and positive, despite the economic downturn. Our first workshop was in Mandurah, 70km south of Perth. A spacious well lit venue in the RAAFA complex kept us busy and dry in the cold squally outside conditions.

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In this demo the subject is finely detailed in contrast to the simple, understated foreground. A rough meandering brushstroke and pale splash of Cobalt Blue take the eye through the empty foreground and up to the focal point.

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Placing muted colors in a field of grey, built up with a series of washes, gives the feeling of dampness and clearing rain.

SYD_4340x Washes of Phthalo Blue through the water and over part of the buildings tightens up color harmony and allows the warm focal area to dominate.

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In Bunbury an old, heritage listed school building right in the middle of town has been handed over to a number of art groups as a permanent venue. The light was great and the old school had a fantastic character.

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An interesting subject treated in a simple, graphic way. Disregarding perspective and focusing on the composition and simple color arrangement amplifies the character of these uncomplicated, white washed buildings.

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Breaking waves are always fun to paint. Phthalo Blue and Green, Ultramarine, Alizarin Crimson and Indian Yellow create the unmistakable color of the West Australian surf.

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Another simple, graphic approach – no perspective or surrounding clutter to take away from the weathered patina of this sea weary fishing trawler up on slips.

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In Perth our workshop venue was spacious, well lit and not far from the city. We did three two day workshops, so new faces seemed to pop up all the time.

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This weathered sandstone outcrop is full of color and texture. Eliminating most of the foreground and background gives the monolithic outcrop an understated simplicity. Ultramarine Blue gouache  dropped into the shadows contrasts with the warm orange and makes the shadows much more vibrant.SYD_4338x A predominantly warm color arrangement made from Alizarin Crimson, Permanent Rose and Indian Yellow  is relieved by Ultramarine Blue in the sky and small patches of Phthalo Blue tinted with White Gouache in the buildings. A simple abstract mark leads the eye across the open foreground and up to the focal point. trawler
Small calligraphic marks either side of this resting trawler suggest buildings, jetties and nautical paraphernalia without being too descriptive. This simplicity contrasts with the apparent detail in the trawler to engage the viewer and make the painting more interesting.

SNIP SNIP SNIP

New $9.95 Instant Video Project

This ancient pair of garden shears make a fantastic painting subject. Years of wear and tear plus numerous adjustments, to make them as comfortable as they are practical, have given them a character way beyond their original appearance.

Join me in capturing that character using just three colors and a handful of brushes, pens and pencils.

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The great thing about this project is the fact that so few materials are needed and the results are surprisingly detailed and emotive.

Check out the Project here

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NEW ARTICLES

A couple of new articles on johnlovettwatercolorworkshop.com

Painting Workshops
Exploring interesting painting destinations with a group of like minded people is a wonderful experience. Whether you are a raw beginner or an experienced artist, painting workshops are a great way to hone your skills, meet new people and have a lot of fun.

painting-on-location

Paint Big!
Aluminium composite panel allows you to paint watercolor and mixed media any size you like and also does away with the need for glass. Here’s how to do it…

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