NZ South Island

Two workshops, back to back, in the beautiful South Island of New Zealand. What a treat, the weather was surprisingly kind to us and the scenery spectacular.

© John Lovett 2023

Queenstown was our starting point. This old steam powered launch, The Earnslaw, cruises up and down the lake

© John Lovett 2023
© John Lovett 2023

Painting on the shore of Lake Wakatipu.

© John Lovett 2023

Glenorchy Mountains

© John Lovett 2023

Lake Wakatipu along the road to Glenorchy

© John Lovett 2023

Petrol bowser recycled – Cardrona

© John Lovett 2023

Old timber shed and wagon out the back of Cardrona Pub

© John Lovett 2023

Winter wood supply – Cardrona Pub

© John Lovett 2023

NZ Woodhen

© John Lovett 2023

Tui Tui

© John Lovett 2023
© John Lovett 2023

Historic remains of old Cromwell

Arrowtown was a great place to paint – Interesting Cafes and bars, and coffee never too far away

© John Lovett 2023
© John Lovett 2023
© John Lovett 2023
© John Lovett 2023

Larnach Castle – Dunedin – A fascinating history explained with enthusiasm by our knowledgable guide

© John Lovett 2023

Iron gate behind the castle – keeps the ghosts in and the bad guys out.

© John Lovett 2023

Boat sheds on Dunedin Harbour were fun to paint – sitting by the water on a sunny afternoon.

13 thoughts on “NZ South Island

  1. Love your work, you have the perfect sense of tone hue and information. You know exactly what to leave out I wish I was as selective!! I’m an oil painter but my plan next year is to experiment with watercolours as I have found oils very difficult to travel with. Would love to come on the workshop next time I’m in New Zealand but unfortunately this time I have already left and on my way back to the UK. Thanks for sharing your work.

  2. Thanks for the memories John. A lovely time spending it with you both and now I know when and how to use gouache and gesso, also the dreaded Thalo blue and Quinacridone gold. I even “like” them now. Kind regards, Pat

    • I’m thrilled this experience has included a skill to use gesso and gouache and a newfound passion for “dreaded” colours. Unfortunately, our plein air leader suggested I “trash” my phthalo watercolours as they are not “natural”. NO WAY! Thanks, Pat.

  3. Hi Diane and  John,

    Do you think you will ever come back to USA?

    Nora an I miss you both.

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    Sent from my iPad

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  4. The most fortunate artists are those accompanying master watercolour artist John Lovett on a plein air painting adventure and learning experience. While NZ offers spectacular scenery it’s Lovett’s artist-eye and heart that is invaluable. Thank you for sharing this journey.

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