SAN GIMIGNANO

After a great week in Cinque Terre we wound our way up over the mountains and on to Lucca to do some painting, then it was off to San Gimignano for the rest of the workshop. We painted in the the old town and also in the hill town of Volterra. We also managed a day trip to Florence to see the city and the Uffizi Gallery.  dsc00172 We had good weather most of the time in San Gimignano, which was great for painting. The couple of wet days made the town look amazing with reflections, umbrellas and spectacular skies.

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dsc00179The proprietor of the “Best Gelato shop in the world” describes, with passion, the  greatness of his product to a barrage of cameras

dsc00175Savage market guard dog.

316Ai Weiwei’s Exhibition in Florence

317Street Juggler – Florence

318_1Piaggio’s resting – Florence

319Man talks to dog – Florence

dsc00219Countryside around Volterra

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dsc00244 Clouds Gathering – Volterra

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The last day of the workshop we were treated to a typical Tuscan feast – plenty of Beer, Wine and Food and lots of stories of the adventures from the past two weeks.

© John Lovett 2016

Certificates were presented…

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…and, of course, selfies taken to remember what was a great workshop.

CINQUE TERRE

A week in Cinque Terre is a great introduction to an Italian workshop. Great food and wine, beautiful scenery and friendly people. We spent our days moving between the villages painting and sketching. Villa Adriana, where we stayed for the week, provided excellent meals – although Antipasto, Pasta, Main and Dessert were more than most of us could handle!

308Wine Delevery – Manarola

309Manarola – buildings by the sea

310Amanda – Watching Chickens

dsc00029Painting in Riomaggiore

© John Lovett 2016

What I thought was an ideal place to paint in Riomaggiore turned out to be the only place wide enough for delivery vans to turn around, so lots of juggling easels in between washes.

ital7820 Old Town – Monterosso

© John Lovett 2016Monterosso – Small truck pees on sidewalk.

© John Lovett 2016Fishing Boats – Monterosso

ital7875Manarola – from the water

ital7996Very Italian – National Park sign advising against stilettos for the walk between Monterosso and Vernazza.

© John Lovett 2016Cliffs near Monterosso

ital7922 Early Morning Vernazza

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Blue Umbrellas – Vernazza

ital7945 Vernazza before sunrise.

ital7976Between Vernazza and Monterosso someone has set up a feeding bay and shelter for stray cats. This guy hung around behind a mesh fence for a pat and a handful of dry cat food.

306Small bridge on path between Vernazza and Monterosso

ital8002Old Town – Monterosso

WISCONSIN

Another great workshop at Dillmans Bay Resort. A fantastic group of people, beautiful surroundings, lots of painting in a big well lit studio and wining and dining in the surrounding towns. What a lot of fun.

193 Chipmunk eating breakfast

194Riveted Tinny

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201 Loon

205 Baby Blackbirds blown out of their nest

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209Woody Guthrie songs on an Appalachian Dulcimer.

210 211 212 Antonio’s new hat

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UPCOMING WORKSHOPS

Looking forward to some great workshops coming up – Australia, Canada, USA and Italy…

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Currumbin Studio Workshop – May 28 – 29 2016

Kelowna, BC, Canada – 2 day workshop on 2nd and 3rd July 2016

Wisconsin USA – 5 day June 12-18 2016

Cinque Terre/San Gimignano – Italy, Sept. 5-17 2016.

QLD. WORKSHOPS

 

June, July and August have been busy months with workshops in Cairns, Gladstone and Blackall.DSC08475

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DSC08493Cairns Art Escape is held annually in “The Tanks” – an amazing venue inside enormous old WW2 oil storage tanks converted to studio and performance spaces.

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July we were in Gladstone at Gallery 67 for a 5 day workshop after which we reloaded the truck and headed out to Blackall for the annual artist retreat workshop.

xNT__0374  Blackall – Artists Retreat

xNT__0359Local Blackall drover, Stu Benson, kept us entertained with stories of the area and spoiled us with tea and damper.

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Old shearing shed at Dunera Station where we were made welcome and enjoyed smoko and an interesting walk around the property.

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Louise and Lexie, who drove out from Currumbin for the workshop, took Dianne and I out to Allendale, where Louise grew up. The old homestead is now abandoned and slowly decaying, it was great to look around at some of the relics remaining from when Louise was a little kid.

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NT__0160Old Allendale Homestead

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Blackall Sunset
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Blackall Wool Scour
Machinery – Blackall wool scour

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We were lucky to be in Blackall for the Camerata of St John’s, Queensland Chamber Orchestra’s performance. It was fantastic – all young, enthusiastic and incredibly well rehearsed players touring through outback regions of Queensland to help raise money for drought relief.

WA WORKSHOPS

Western Australia’s mining boom might have slowed, but our recent visit showed a state still prosperous and positive, despite the economic downturn. Our first workshop was in Mandurah, 70km south of Perth. A spacious well lit venue in the RAAFA complex kept us busy and dry in the cold squally outside conditions.

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In this demo the subject is finely detailed in contrast to the simple, understated foreground. A rough meandering brushstroke and pale splash of Cobalt Blue take the eye through the empty foreground and up to the focal point.

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Placing muted colors in a field of grey, built up with a series of washes, gives the feeling of dampness and clearing rain.

SYD_4340x Washes of Phthalo Blue through the water and over part of the buildings tightens up color harmony and allows the warm focal area to dominate.

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In Bunbury an old, heritage listed school building right in the middle of town has been handed over to a number of art groups as a permanent venue. The light was great and the old school had a fantastic character.

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An interesting subject treated in a simple, graphic way. Disregarding perspective and focusing on the composition and simple color arrangement amplifies the character of these uncomplicated, white washed buildings.

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Breaking waves are always fun to paint. Phthalo Blue and Green, Ultramarine, Alizarin Crimson and Indian Yellow create the unmistakable color of the West Australian surf.

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Another simple, graphic approach – no perspective or surrounding clutter to take away from the weathered patina of this sea weary fishing trawler up on slips.

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In Perth our workshop venue was spacious, well lit and not far from the city. We did three two day workshops, so new faces seemed to pop up all the time.

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This weathered sandstone outcrop is full of color and texture. Eliminating most of the foreground and background gives the monolithic outcrop an understated simplicity. Ultramarine Blue gouache  dropped into the shadows contrasts with the warm orange and makes the shadows much more vibrant.SYD_4338x A predominantly warm color arrangement made from Alizarin Crimson, Permanent Rose and Indian Yellow  is relieved by Ultramarine Blue in the sky and small patches of Phthalo Blue tinted with White Gouache in the buildings. A simple abstract mark leads the eye across the open foreground and up to the focal point. trawler
Small calligraphic marks either side of this resting trawler suggest buildings, jetties and nautical paraphernalia without being too descriptive. This simplicity contrasts with the apparent detail in the trawler to engage the viewer and make the painting more interesting.

NEW ARTICLES

A couple of new articles on johnlovettwatercolorworkshop.com

Painting Workshops
Exploring interesting painting destinations with a group of like minded people is a wonderful experience. Whether you are a raw beginner or an experienced artist, painting workshops are a great way to hone your skills, meet new people and have a lot of fun.

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Paint Big!
Aluminium composite panel allows you to paint watercolor and mixed media any size you like and also does away with the need for glass. Here’s how to do it…

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