TASMANIA

What a lot of fun, six weeks of workshops and travel in Tasmania. We had two workshops in Hobart and one traveling from Launceston to Smithton then on to Strahan and finally back to Hobart. We were spoilt with fabulous food, great accommodation, wonderful company and a coach to take us to the numerous painting locations.

We had some great painting locations and also did a lot of sketches.

While in Hobart we traveled down to the village of Franklin – Famous for it’s wooden boats

Beautifully built from Huon Pine

Life on the river

Late afternoon light was amazing.

The old boathouse where wooden boats are built and repaired.

Parked carefully in a shed, this old Suzuki still has a lot of life in it yet.

I cant resist photographing houses painted this crazy green

Strahan Evening

Strahan early in the morning

Hells Gate lighthouse

There are some fantastic old wooden boat sheds, apple sheds and huts south of Hobart – some in better condition than others.

After the workshop Dianne and I drove down to Cockle Creek, the southern tip of Tasmania. Great camping spots, beautiful beaches and inlets.

We were lucky to see this Spotted Quoll out foraging

Great birdlife too.

Tasmania is a great place to travel. It is small and easy to get around, it has a huge variety of attractions. We travelled from the cold dramatic Western Tiers and Highland Lakes down to the sunny comfort of the coast in a couple of hours. The forests of the extreme south are unspoilt and beautiful. Tasmania’s history is dramatic and well preserved, and the state has some of the best food, wine and beer in Australia.

Well worth a visit.

NZ South Island

Two workshops, back to back, in the beautiful South Island of New Zealand. What a treat, the weather was surprisingly kind to us and the scenery spectacular.

© John Lovett 2023

Queenstown was our starting point. This old steam powered launch, The Earnslaw, cruises up and down the lake

© John Lovett 2023
© John Lovett 2023

Painting on the shore of Lake Wakatipu.

© John Lovett 2023

Glenorchy Mountains

© John Lovett 2023

Lake Wakatipu along the road to Glenorchy

© John Lovett 2023

Petrol bowser recycled – Cardrona

© John Lovett 2023

Old timber shed and wagon out the back of Cardrona Pub

© John Lovett 2023

Winter wood supply – Cardrona Pub

© John Lovett 2023

NZ Woodhen

© John Lovett 2023

Tui Tui

© John Lovett 2023
© John Lovett 2023

Historic remains of old Cromwell

Arrowtown was a great place to paint – Interesting Cafes and bars, and coffee never too far away

© John Lovett 2023
© John Lovett 2023
© John Lovett 2023
© John Lovett 2023

Larnach Castle – Dunedin – A fascinating history explained with enthusiasm by our knowledgable guide

© John Lovett 2023

Iron gate behind the castle – keeps the ghosts in and the bad guys out.

© John Lovett 2023

Boat sheds on Dunedin Harbour were fun to paint – sitting by the water on a sunny afternoon.

WEST TO WINTON

A workshop in Blackall and another spread between Longreach and Winton saw us load up the truck and head off to central Queensland for six weeks. The country was incredibly green after all the rain and flooding. Many roads were still closed and venturing off the bitumen was a slippery, muddy exercise.

© John Lovett

Silos on the road to Roma

© John Lovett

This old pub at Wallumbilla looks less than inviting soaked in rain and surrounded by mud, but the local graziers couldn’t be happier.

© John Lovett

Retirement green confusion – Morvan.

© John Lovett

Early morning – Morven waterhole

© John Lovett

Disused railway crane – Morven

© John Lovett

Camping out of Tambo was a little tricky – where there wasn’t grass there was thick, sticky mud.

© John Lovett

Sunrise through a layer of fog, Tambo

© John Lovett

Union Hotel Blackall – still sells cold beer, but not much else

© John Lovett

The weekly cattle sale in Blackall saw some fat’ healthy cattle, happy sellers and not so happy re-stockers.

© John Lovett

Lisa and Bruce, from one of the big sheep stations out of Blackall, invited us out to see the end of the shearing.

© John Lovett

These guys work flat out, fired up by loud, fast music, high demand and and a competitive attitude.

© John Lovett

Shearing their way through several thousand sheep is hard, back breaking work.

© John Lovett

Ancient Technology from the Isisford Picture Theatre.

Drowned caravans camped in the Barcoo River, Isisford. Ignore the locals at your peril.

© John Lovett
© John Lovett

An empty paddock next to the old Langenbaker House in Ilfracombe made a great place to paint

© John Lovett
© John Lovett

DC3 at the Qantas Museum Longreach

© John Lovett

Retired Catalina at the Qantas Museum

© John Lovett

Before the workshop in Winton, Dianne and I went out to the clay pans at Bladensburg to find a painting location

© John Lovett

Willy Mar’s old market garden store, Winton

©John Lovett

We painted Willy Mar’s old truck (now up on blocks next to his old market garden and store.

We spent a morning in the old Bladensburg woolshed painting the ancient wool press.

This was the demonstration painting I did. (Couldn’t help using Phthalo Green!)

©John Lovett

Looking west towards Winton – an unusual sea of lush, green grass

At the Winton Dinosaur Centre, volunteers work tirelessly separating rock from fossil to reconstruct the skeletons of dinosaurs.

©John Lovett

After the Winton workshop Dianne and I headed back out to Bladensburg to camp and watch the sun go down.

©John Lovett

Heading east, we found this lake with amazing sunsets and fantastic birdlife.

©John Lovett

Our camp, just visible from the top of a nearby hill

©John Lovett

Sunset one side, full moon the other.

©John Lovett
©John Lovett
©John Lovett
©John Lovett
©John Lovett
©John Lovett
©John Lovett

UPCOMING WORKSHOPS

Looking forward to some great workshops coming up – Australia, Canada, USA and Italy…

vanazza church

Currumbin Studio Workshop – May 28 – 29 2016

Kelowna, BC, Canada – 2 day workshop on 2nd and 3rd July 2016

Wisconsin USA – 5 day June 12-18 2016

Cinque Terre/San Gimignano – Italy, Sept. 5-17 2016.

WORKSHOP DEMOS

Here are some of the demo paintings from the Tasmanian workshop.

Bicheno bay

Cray Boats moored in the bay at Bicheno – Gesso, Gouach and Phthalo Blue

Bicheno

Further around the bay at Bicheno are rock formations covered in brilliant orange lichen

Coles Bay

Old boat sheds at Coles Bay made a great subject – interrupted briefly by the retrieval of a dozen yellow kayaks paddled into the bay.

cradle mtn

Dove Lake at Cradle Mountain is a spectacular sight. We were lucky to be able to paint it – the mountains are usually blanketed in thick fog.

Hobart

Hobart Waterfront – watercolor, ink, gesso and gouache

Straun

Macquarrie Harbour from the hotel balcony, Strahan.

NEW WEBSITE

After a lot of work my new Watercolor Workshop website has been launched. ( www.johnlovettwatercolorworkshop.com )

There is all sorts of information to help you with your painting – Mixing Color, Drawing, Using Brushes, Presenting Your Work, Articles on all aspects of painting.

There are also a number of new Instant Video Projects available.

For just $9.95 you get unlimited access to a 10 minute HD video, complete step by step instructions and a detailed PDF Printout to guide you through the whole project. Check out the overview below

Have a look at the Instant Video Projects

WEEKEND STUDIO WORKSHOPS

Over the past two weekends I held a couple of 2 day workshops here in my studio. A lot of people, due to work commitments, find it hard to attend the 5 day workshops. We had an enthusiastic group both weekends and managed to do a lot of painting in between chatting, drinking coffee and eating cakes. The demonstration paintings below show a couple from each workshop.

Studio Workshop

junk

This was the first painting we did in one of the workshops. A simple subject, but lots of interesting colors and textures. We used a mixture of watercolor, gouache, ink, charcoal and inktense pencil.

pellestrina

Here I chose a more complicated subject, but broke it down into simple shapes, then went to town with the different colors and textures. The first washes were watercolor over charcoal lines, then gouache, ink and pastel were added. the intense blue of the boat hulls is Ultramarine Gouache.

pellestrina2

Another complicated subject treated in a simple way – playing around with washes while holding on to a clean, high contrast focal area.

window

This was the first demo in the second workshop. Again a simple subject with plenty of color and texture to play around with.

These workshops were a lot of fun and booked out very quickly, so we will run a couple more towards the end of the year. Mean time, there are still a few places left in the 5 day march workshops