FLINDERS RANGES WORKSHOP

We left Arkaroola and headed down to Adelaide, exploring Wilpena, the southern Flinders and Burra, on the way. Our truck was parked in secure parking for the two weeks of the workshop. We spent a night in Adelaide, then we joined the painting group and travelled back up to Wilpena Pound Resort by coach for our first 5 days of the workshop.

The Flinders Ranges are a great place to paint – interesting buildings, spectacular gorges and a backdrop of magnificent purple mountains.

Here we painted the old Wilpena Station store where all the stations provisions were secured back in the 1800’s

This old door has been patched and repaired over the years, keeping the blacksmiths cottage secure for over a hundred years.

We painted the stony outcrops surrounding the Aroona Valley before going down into the Brachina Gorge to explore the rocks and pools

 

Brachina Gorge

We had two great indigenous guides to show us around the Brachina Gorge area. They took us to see these ancient rock engravings with all sorts of interesting details.

Leaving The Flinders, we moved on down to Burra, a beautiful little town with magnificent stone buildings built in the boom days of the towns copper mine in the 1800’s. We spent a few days in Burra exploring the area and painting.

Burra Main Street.

South Australia has a lot of old abandoned railway stations, some with old rolling stock, some with wheat silos and most of them built beautifully from local stone

One of our group has explored all the old abandoned stations in the lower Finders. He got permission from the owners of this beautiful old station for us to visit.

We spent a morning painting the old Farrell Flat Station.

 

Skillogalee Vineyard made a good painting destination. We sampled their wines, had a fabulous meal and painted in the vineyard garden – What a great day.

Lunch on the Skillogalee verandah.

Our last couple of days were spent in Hahndorf in the Adelaide hills. We visited The Cedars – the home and studio of Hans Heysen.

A beautiful studio with huge, frosted, south facing windows and a large open fireplace

 

We were lucky to have “The Two Marks” on board as we travelled around South Australia. Mark One , the driver, had a terrific knowledge of the area and kept us entertained and informed with some great stories. Mark Two,  a local watercolourist and long time traveller through the region led us to some great painting locations we would have otherwise missed.

The passing vista of old abandoned buildings, big skies and bare rolling hills is unique to South Australia and is something that keeps drawing us back to this part of the country.

 

ROCKS AND BOABS

Our Outback Workshop moved from Kakadu/Litchfield, over to Kununurra via Katherine. Moving across the boarder into Western Australia brings a change in the landscape from speargrass savannah to rocky outcrops and giant Boab trees. The landscape was unusually dry for this time of year. Normally creeks are full, waterfalls are flowing and the landscape is greener but, unfortunately,  the last wet season was almost non existent.

© John Lovett 2019
© John Lovett 2019
Spectacular, close up view of Katherine Gorge

© John Lovett 2019
Kununurra sunset changes the landscape completely
© John Lovett 2019
© John Lovett 2019
© John Lovett 2019
Couldn’t resist painting this old Studebaker truck at El Questro Station

© John Lovett 2019     © John Lovett 2019
Rock Wallaby keeps watch over Chamberlain Gorge

© John Lovett 2019
Chamberlain Gorge

© John Lovett 2019 © John Lovett 2019
Distorted landscape around Lake Argyle

After the Outback Workshop finished, Dianne and I collected our truck we had stored in Kununurra and headed of down the Gibb River Road via Wyndham and Parry Lagoon
© John Lovett 2019
© John Lovett 2019
© John Lovett 2019
© John Lovett 2019

© John Lovett 2019

Bell Gorge – one of the many waterholes along the Gibb River Road
© John Lovett 2019
Water Monitor – Bell Gorge
© John Lovett 2019
© John Lovett 2019

At the end of the Gibb River Road is the Napier Range. A spectacular band of twisted Limestone running East West across the Southern Kimberley. We spent a few days camped under the range painting, walking, sketching and photographing

© John Lovett 2019
© John Lovett 2019 © John Lovett 2019
Bee hive in a cave in the Napier Range

© John Lovett 2019
Outside Studio

© John Lovett 2019
© John Lovett 2019 © John Lovett 2019 © John Lovett 2019   © John Lovett 2019 An amazing place to paint and explore

CENTRAL AUSTRALIA WORKSHOP

A couple of weeks before Winter is the perfect time to be in Central Australia. The days are warm and sunny, the nights are still mild and the chance of rain is close to zero.

We flew to Alice Springs via Sydney which took us across the top of the Simpson Desert. It is amazing how big and empty it looks from 11000 meters.© John Lovett 2017

 

We also crossed the Birdsville and Strzelecki tracks that we drove down last year

© John Lovett 2017

 

Flying over the MacDonnall Ranges shows just how ancient and distorted the landscape is in that part of the country.

© John Lovett 2017

When we arrived in Alice Springs we met our Bus driver Natalie and her awesome big Mercedes Bush Bus. She was passionate and enthusiastic, showing us all there was to see around Alice Springs, the Western MacDonnalls and Uluru Katajuta.

© John Lovett 2017

Our first stop was Glen Helen Lodge. We based ourselves there and visited the gorges of the West MacDonnall Ranges. A great spot with fantastic food and a view from our cabin door to die for.

© John Lovett 2017

Late afternoon Glen Helen

© John Lovett 2017

Piano with boots

© John Lovett 2017

I took  a helicopter ride over the Glen Helen Gorge/ Ormiston Pound. These ranges sure are impressive from the air.

© John Lovett 2017

© John Lovett 2017

© John Lovett 2017

 

Ringneck Parrot

© John Lovett 2017

 

Ellery Creek Big hole

© John Lovett 2017 © John Lovett 2017

© John Lovett 2017

© John Lovett 2017

© John Lovett 2017

© John Lovett 2017

 

Painting at Ormiston Gorge

© John Lovett 2017

 

Ochre Pits

© John Lovett 2017

 

Standley Chasm

© John Lovett 2017

 

We were lucky enough to be at Uluru for the annual camel races. The traditional Calcutta is held at the pub the night before race day. Lots of excitement and some hefty prices paid for these racing dromedaries.

© John Lovett 2017

The races were wild and crazy – Camels seem to have limbs all over the place when they run…  © John Lovett 2017

…handsome animals though!

© John Lovett 2017  © John Lovett 2017 © John Lovett 2017

 

The day following the races we spent the morning painting at the camel farm. Some of these animals looked to be suffering severe, post race,  hangovers.

© John Lovett 2017

© John Lovett 2017

© John Lovett 2017

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Sturt’s Desert Pea       © John Lovett 2017

 

Mutitjulu Waterhole

© John Lovett 2017

© John Lovett 2017

 

Walking through Bruce Munro’s Field of Lights installation was disorienting and fantastic

© John Lovett 2017© John Lovett 2017

 

Shallow water in Lake Amadeus.

© John Lovett 2017

 

Herons at Glen Helen  © John Lovett 2017

NEW ARTICLE

Painting Water
I don’t know what it is about painting water, but for some reason its calm, horizontal suggestion in a painting always seems to draw a viewer in. Here are some useful tips for painting water.

© John Lovett

http://johnlovettwatercolorworkshop.com/painting-articles/

WA WORKSHOPS

Western Australia’s mining boom might have slowed, but our recent visit showed a state still prosperous and positive, despite the economic downturn. Our first workshop was in Mandurah, 70km south of Perth. A spacious well lit venue in the RAAFA complex kept us busy and dry in the cold squally outside conditions.

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In this demo the subject is finely detailed in contrast to the simple, understated foreground. A rough meandering brushstroke and pale splash of Cobalt Blue take the eye through the empty foreground and up to the focal point.

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Placing muted colors in a field of grey, built up with a series of washes, gives the feeling of dampness and clearing rain.

SYD_4340x Washes of Phthalo Blue through the water and over part of the buildings tightens up color harmony and allows the warm focal area to dominate.

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In Bunbury an old, heritage listed school building right in the middle of town has been handed over to a number of art groups as a permanent venue. The light was great and the old school had a fantastic character.

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An interesting subject treated in a simple, graphic way. Disregarding perspective and focusing on the composition and simple color arrangement amplifies the character of these uncomplicated, white washed buildings.

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Breaking waves are always fun to paint. Phthalo Blue and Green, Ultramarine, Alizarin Crimson and Indian Yellow create the unmistakable color of the West Australian surf.

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Another simple, graphic approach – no perspective or surrounding clutter to take away from the weathered patina of this sea weary fishing trawler up on slips.

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In Perth our workshop venue was spacious, well lit and not far from the city. We did three two day workshops, so new faces seemed to pop up all the time.

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This weathered sandstone outcrop is full of color and texture. Eliminating most of the foreground and background gives the monolithic outcrop an understated simplicity. Ultramarine Blue gouache  dropped into the shadows contrasts with the warm orange and makes the shadows much more vibrant.SYD_4338x A predominantly warm color arrangement made from Alizarin Crimson, Permanent Rose and Indian Yellow  is relieved by Ultramarine Blue in the sky and small patches of Phthalo Blue tinted with White Gouache in the buildings. A simple abstract mark leads the eye across the open foreground and up to the focal point. trawler
Small calligraphic marks either side of this resting trawler suggest buildings, jetties and nautical paraphernalia without being too descriptive. This simplicity contrasts with the apparent detail in the trawler to engage the viewer and make the painting more interesting.

SNIP SNIP SNIP

New $9.95 Instant Video Project

This ancient pair of garden shears make a fantastic painting subject. Years of wear and tear plus numerous adjustments, to make them as comfortable as they are practical, have given them a character way beyond their original appearance.

Join me in capturing that character using just three colors and a handful of brushes, pens and pencils.

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The great thing about this project is the fact that so few materials are needed and the results are surprisingly detailed and emotive.

Check out the Project here

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