PORTUGAL

After a three year postponement due to covid, our Portugal workshop finally went ahead. We were joined by our guides Amanda and Gordon and around twenty keen painters. The workshop started in Lisbon where we all got to know each other and some great friendships were formed. A mixture of painting, sightseeing, shopping, wining and dining kept us all very busy.

The view from the rooftop bar at our hotel in Lisbon was stunning. It’s a densely packed city and most of the population seem to be out walking.

Most towns we visited in Portugal had beautifully tiled streets and pavements – time consuming work to lay all these tiny stone blocks by hand but it looks fantastic.

Lisbon’s vintage trams move people around the city centre pretty efficiently but walking seems to be the preferred mode of transport.

Fancy neon

The streets and alleyways are a great place to take photographs. There is always somewhere catching just the right light and the bends, twists and undulations make interesting compositions.

Stacked wine glasses in a restaurant window

Interesting machine parked outside a high end store

Porto was clouded in smoke from nearby bushfires. It was hard to breathe, it stung your eyes, but looked fantastic

Strange red sun as it set through a curtain of smoke

Traditional river boats in Porto are still built and maintained on the riverside slipway

Fantastic old buildings perched along the riverside in Porto

Washing day

…Cant resist a pink wall

We toured the palace in Sintra then painted in the town square.

This beautiful building was tucked into the hillside above the town of Sintra

Azenhas do Mar was a beautiful seaside town where we spent a day painting and enjoying the warm coastal weather.

Lunch on the beach with Amanda and Gordon – Azenhas do Mar

Most abandoned buildings eventually attract a coating of graffiti

Dried, salted Cod waiting to be turned into a tasty delicacy.

Bridge over the Douro River in Porto.

NZ South Island

Two workshops, back to back, in the beautiful South Island of New Zealand. What a treat, the weather was surprisingly kind to us and the scenery spectacular.

© John Lovett 2023

Queenstown was our starting point. This old steam powered launch, The Earnslaw, cruises up and down the lake

© John Lovett 2023
© John Lovett 2023

Painting on the shore of Lake Wakatipu.

© John Lovett 2023

Glenorchy Mountains

© John Lovett 2023

Lake Wakatipu along the road to Glenorchy

© John Lovett 2023

Petrol bowser recycled – Cardrona

© John Lovett 2023

Old timber shed and wagon out the back of Cardrona Pub

© John Lovett 2023

Winter wood supply – Cardrona Pub

© John Lovett 2023

NZ Woodhen

© John Lovett 2023

Tui Tui

© John Lovett 2023
© John Lovett 2023

Historic remains of old Cromwell

Arrowtown was a great place to paint – Interesting Cafes and bars, and coffee never too far away

© John Lovett 2023
© John Lovett 2023
© John Lovett 2023
© John Lovett 2023

Larnach Castle – Dunedin – A fascinating history explained with enthusiasm by our knowledgable guide

© John Lovett 2023

Iron gate behind the castle – keeps the ghosts in and the bad guys out.

© John Lovett 2023

Boat sheds on Dunedin Harbour were fun to paint – sitting by the water on a sunny afternoon.

WEST TO WINTON

A workshop in Blackall and another spread between Longreach and Winton saw us load up the truck and head off to central Queensland for six weeks. The country was incredibly green after all the rain and flooding. Many roads were still closed and venturing off the bitumen was a slippery, muddy exercise.

Silos on the road to Roma

This old pub at Wallumbilla looks less than inviting soaked in rain and surrounded by mud, but the local graziers couldn’t be happier.

Retirement green confusion – Morvan.

Early morning – Morven waterhole

Disused railway crane – Morven

Camping out of Tambo was a little tricky – where there wasn’t grass there was thick, sticky mud.

Sunrise through a layer of fog, Tambo

Union Hotel Blackall – still sells cold beer, but not much else

The weekly cattle sale in Blackall saw some fat’ healthy cattle, happy sellers and not so happy re-stockers.

Lisa and Bruce, from one of the big sheep stations out of Blackall, invited us out to see the end of the shearing.

These guys work flat out, fired up by loud, fast music, high demand and and a competitive attitude.

Shearing their way through several thousand sheep is hard, back breaking work.

Ancient Technology from the Isisford Picture Theatre.

Drowned caravans camped in the Barcoo River, Isisford. Ignore the locals at your peril.

An empty paddock next to the old Langenbaker House in Ilfracombe made a great place to paint

DC3 at the Qantas Museum Longreach

Retired Catalina at the Qantas Museum

Before the workshop in Winton, Dianne and I went out to the clay pans at Bladensburg to find a painting location

Willy Mar’s old market garden store, Winton

We painted Willy Mar’s old truck (now up on blocks next to his old market garden and store.

We spent a morning in the old Bladensburg woolshed painting the ancient wool press.

This was the demonstration painting I did. (Couldn’t help using Phthalo Green!)

Looking west towards Winton – an unusual sea of lush, green grass

At the Winton Dinosaur Centre, volunteers work tirelessly separating rock from fossil to reconstruct the skeletons of dinosaurs.

After the Winton workshop Dianne and I headed back out to Bladensburg to camp and watch the sun go down.

Heading east, we found this lake with amazing sunsets and fantastic birdlife.

Our camp, just visible from the top of a nearby hill

Sunset one side, full moon the other.

SIMPLE PEN AND WASH

New Instant Video Project

A quick and easy technique to capture the essence of a subject using pen and ink and just two colors. Complete step by step instructions, HD Video, PDF Download, Rent or Buy

https://www.johnlovett.com/video-projects

https://www.johnlovett.com/video-projects

MT MOFFAT & BLACKALL 2017

The Blackall workshops are always a lot of fun. We get to meet people from surrounding sheep and cattle stations and local Blackall residents in the first workshop then folks fly in or drive from all over the place for the second workshop.

This year we left a couple of weeks early so we could visit Mt Moffat on the way west. Mt Moffat is part of the Carnarvon National Park. It connects to the head of Carnarvon Creek at the western end of Carnarvon Gorge and extends south.

Similar eroded, pale sandstone to Carnarvon Gorge is found throughout the Mt Moffat section. Access is by 4WD – there are some deeply rutted tracks, sandy sections and steep climbs up onto the plateau.

 

There are interesting sandstone formations and many escarpments and rock faces with aboriginal art work.

 

 

Confusing sign if you don’t read English!

 

We camped at Dargonelly Rock Hole. It was the only water source in the area, so animal and birdlife was pretty spectacular particularly early morning and late afternoon.

 

On top of the plateau the view stretched out in all directions. The plateau is over 1200 meters above sea level – the highest plateau in Queensland. We drove up to the head of Carnarvon Creek, where the track winds through a forest of giant Mahogany trees.

 

Small slab hut on the road into Mt. Moffat

 

We were lucky enough to arrive in Blackall the night six musicians, all from different countries, were performing at the Living Arts Center where we were staying. It was amazing how well such a diverse group of musicians could all blend perfectly into music from any of the six countries. It was great to meet these musicians and hear their stories.

 

 

Old River Gum late afternoon – Tambo

 

We had a couple of days between the two Blackall workshops, so drove out to Yaraka – the last town on the railway line before it closed down in the 1990’s. Below is the small settlement of Emmet along the same defunct railway line.

 

Lost Chev – Yaraka

 

Sunset on Mt Slowcombe near Yaraka

 

I love visiting the Blackall wool scour. It closed down years ago but has been kept in running condition as a tourist attraction. It looks like something from a horror movie. Everything is belt driven, powered by a steam engine. Over a kilometre of leather belts keep everything moving. With all this mechanical movement there is barely a sound – it is all so well built and maintained.

 

Heading home we passed the Roma sale yards where one of the weekly cattle sales were in progress. It’s an amazing event. Road trains arrive from near and far, cattle are unloaded, auctions take place then cattle are re loaded and delivered to the successful bidders. The auctioneers speak their own language at a speed only understandable by those in colored shirts and big hats. It really is a spectacle.

UPCOMING WORKSHOPS

Looking forward to some great workshops coming up – Australia, Canada, USA and Italy…

vanazza church

Currumbin Studio Workshop – May 28 – 29 2016

Kelowna, BC, Canada – 2 day workshop on 2nd and 3rd July 2016

Wisconsin USA – 5 day June 12-18 2016

Cinque Terre/San Gimignano – Italy, Sept. 5-17 2016.