While we were in Italy one of the artists in our group, Lety Herrera, from Mexico, asked if I had ever tried Watercolor Canvas. I hadn’t, and she suggested I should, so when I arrived home I picked up a pad of small sheets. I was amazed how good it was to work on and how well the washes reacted to the primed surface. I did a couple of small paintings then ordered a roll of the canvas.
It needs to be stretched or mounted securely to a board before you paint on it or it will buckle and twist badly, making it impossible to work on. The paint tends to sit more on the surface than it does on paper, and can easily be washed back to clean canvas. This may sound like a problem, but you soon get use to gently working over underlying washes so as not to disturb them. Eventually, the ability to easily lift off pigment becomes an advantage, allowing tones to be adjusted and whites to be retrieved at any stage.
You may wonder why work on watercolor canvas when there are so many excellent watercolor papers. For me, the big advantage is not having to place the finished painting under glass plus the option to work on a larger surface. Once finished the paintings need to be treated with a suitable varnish.
Sorrento Breeze – Marina Grande
I still love the feeling of painting on watercolor paper but this watercolor canvas offers a new way of working and different way to present your work. I see it as an extension to the traditional format of watercolor on paper. Acrylic, ink and pastel can also be incorporated into these paintings.
Fredrix Watercolor canvas is acid free, 100% cotton canvas, primed with a patent pending, specially formulated Gesso for all water based paints. It is available in pads, boards and in a 58″x 3 yard roll.