Over the past couple of weeks I have been busy working on this large (1500×900) acrylic, charcoal and ink painting. It is based on a large sandstone wall, towering over a rock pool in the Umbrawarra Gorge, south of Litchfield National Park in the Northern Territory. Apart from the spectacular appearance of the place, the thing that impressed me was the strange silence, broken by occasional disjointed echoes. The sounds of distant birds, insects and breezes all seemed to emanate from the rocks, always punctuated by long periods of silence. Hidden through the rocks was evidence of faded aboriginal rock paintings.
I used colored acrylic glazes over white areas of gesso to get a transparent glow into some of the rock shapes. These are contrasted with solid opaque patches of similar colored acrylic. When the paint was dry I drew over it with charcoal pencil (black and white) and Burnt Sienna pigment ink. The most difficult part of this painting was getting the abstract marks right. It took a lot of looking and adjusting until everything seemed to fall into place. What I like about this process are the intricate, underlying textures that build up. Painting like this really makes me appreciate the work of Franz Kline. He seems to effortlessly create the most beautiful abstract marks – perfectly balanced and proportioned, right from scratch.